Araiteuru | Our Journey

Whakapono Faith

In most cultures karakia, faith, ritual and customs frame how humanity views and gives meaning to life.

In Māori culture, karakia (chants and prayers) are a means to communicate with atua (gods), to seek guidance, protection and to place or lift tapu (a state of restriction or sacredness).

Before significant tasks such as selecting a tree to fashion a waka or beginning a journey, karakia are performed by a tohunga (expert) to bring focus and unity and ensure a successful outcome.

A detail of the Cathedral of the Blessed Sacrament in Christchurch in the 1980s. Canterbury Museum 2017.79.5568

A detail of the Cathedral of the Blessed Sacrament in Christchurch in the 1980s. Canterbury Museum 2017.79.5568

A detail of the Cathedral of the Blessed Sacrament in Christchurch in the 1980s. Canterbury Museum 2017.79.5568


Army issue Bible, King James version, belonged to Corporal Frank W. Prebble 1916 – 1918 Canterbury Museum 1989.209.3

The opening page of Frank Prebble's army issue bible. Canterbury Museum 1989.209.3

Finding faith at war

When Frank Prebble went to war on 5 March 1916 at the age of 20, he decided to keep a diary.

This straightforward record of his time on the front lines in France was donated by his family to the Canterbury Museum collection, along with Frank’s army-issue Bible (pictured here). In his diary, he not only captured the horror of war but also the tedium, the daily details and the simple pleasures found away from the firing line.

His journey to the front began with a six-week sea voyage on the ‘SS Willochra’, where he spotted whales, flying fish and porpoises. After arriving in Marseilles on 21 April, Frank spent 53 hours on a cold train, glimpsing the Eiffel Tower in the distance when they passed Paris and beating English soldiers 3–1 in a football game during a brief stop.

He arrived at the front in Armentieres on 23 May, a long way from his hometown of Prebbleton. Within days he was being shot at by snipers and machine gunners. Breakfast was “dog biscuits and a bit of bully beef”. He witnessed his fellow soldiers get maimed and killed on the front line.

But Frank discovered he could cope with the extreme demands of war. On 29 May, he wrote:

Frank Prebble

A portrait of Frank Prebble when he enlisted.

“Germans sent over a few shells and wounded 30 and killed 6. I helped bandage one man's wounds. Had two pieces of flesh, fully 5 lbs each, taken from the inner part of his thighs. He was very cheerful. Another fellow (since dead) had his leg smashed and arm sticking out at the elbow and also smashed about the head and body. I didn't feel sickly, in fact I took an interest in the dressing of the wounds.”

And he found faith that he would make it home alive.

“Piece of our shell flew back from enemy lines and just missed me. God will take care of me till this war is finished. I am sure.”

It was a faith that was well-founded. Frank made it home to New Zealand in October 1919, despite witnessing countless horrors and getting injured twice on the front lines. He died in Redcliffs in 1941 at the age of 46.

Even amid the carnage of World War One, Frank could still find simple moments of pleasure. On 25 June 1916, he shared one such moment with his diary.

“Found a big strawberry patch at 7 am and filled my balaclava with them. Some were the size of hens’ eggs and didn’t we enjoy them. We filled a sandbag full and had a good feast. They were in full view of enemy, but they didn't fire on us.”

Army issue Bible, King James version, belonged to Corporal Frank W. Prebble 1916 – 1918  Canterbury Museum 1989.209.3

Frank W Prebble's army issue bible. Canterbury Museum 1989.209.3


‘Chapel of the Snows’, a 2006 oil painting by Dick Frizzell. Canterbury Museum 2014.44.1. Image courtesy of Dick Frizzell.

Chapel of the Snows a 2006 oil painting by Dick Frizzell. Canterbury Museum 2014.44.1. Image courtesy of Dick Frizzell.

Faith on the ice

When artist Dick Frizzell went to Antarctica in 2005, only one of the many paintings he created in response included ice or snow.

This painting, which is now in the Museum collection, captures the Chapel of the Snows at McMurdo Station on Ross Island, set against the backdrop of the Ross Ice Shelf stretching to the distant mountains.

Built from scrap in 1956, the chapel is the world's southernmost religious building. It burnt down in 1978 and was rebuilt in 1989, complete with stained-glass windows featuring penguins.

Dick Frizzell, known for his pop art depictions of Kiwi icons like the Four Square man, responded to his Antarctic experience with a series of naturalistic still-life paintings of Scott Base’s historic huts. They showed old crates that once contained lamp oil for Scott’s 1910 expedition, a sewing machine, a kettle, tins of food, a recipe for scrambled eggs and a hardy old stove. The painting of the chapel stands out against these closely observed interiors.

Perhaps the artist is saying that to endure Antarctica you need a wide range of home comforts, but also a little bit of faith.

Two women weaving flax. Canterbury Museum 1940.193.80

Two women weaving flax. Canterbury Museum 1940.193.80

Whakaritea Prepare

Ko te whakarite ki te haere Preparing to sail

Once the waka hourua is ready, we'll prepare to sail.

To reach our destination – the new Museum – we'll need the skills and knowledge to sail safely.

We'll need to gather our crew, learn to navigate and prepare the resources that will sustain and protect us on the journey.

More stories and taonga (treasures) from the collection will be regularly shared as we redevelop the Museum.

Two women weaving flax. Canterbury Museum 1940.193.80

Continue with our journey

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